Ashedit’s Blog

January 28, 2009

Writing Anywhere, Anytime

Filed under: Uncategorized — ashedit @ 7:01 pm

000000012If you write only at your computer, you’re wasting time! How do I know? Because shortly after starting my first novel, I realized if I waited for a quiet moment at the computer, it would take me years to get the thing done. I was toiling as a bank VP’s assistant, lo those many moons ago, and figured if I took a pen and paper with me, writing could be done during the 40-minute subway ride to work. At lunch, out for a walk, whatever, I could get a paragraph here, a page there, and they’d all add up.

Then there were those (frequent) occasions when I had quiet time with my computer, but absolutely zero inspiration to write anything. That’s when I pulled out all those hastily scribbled pages from subway, lunch and park bench, and retyped them into the computer, revising and editing as I went. I wrote my first novel, 100,000 words, in eight months using the “anywhere, anytime” method.

Take a pen and paper with you, just as an experiment, and see if inspiration doesn’t strike in a place you’d least expect. You can chop months, even years, off the time it takes to complete something. All it takes is a pen and paper with you at all times.

Please leave a comment here if you have any tips on the best way to utilize time. I’d love to hear it!

January 23, 2009

Letter from Las Vegas

Filed under: Uncategorized — ashedit @ 10:07 pm

Inspiration. It’s what every writer seeks, no? Sometimes you just need to shake it up a little for new ideas to rise to the surface. That’s why I’m writing this from the Baccarat Bar at Bellagio in Las Vegas.

 

It’s only 11:40am, so I was able to score a casino-side seat, on a major marble-lined thoroughfare of the hotel, and watch the world go by. Literally. Gamblers, fun seekers, hedonists, shady characters, glamoristas and the salt of the earth, viewed for the price of a cup of coffee and a shot of Grand Marnier—served in a warmed snifter, but of course.

 

Behind me is the mega-chandeliered Baccarat Salon, where the real high rollers rub shoulders. This morning’s attendance is sparse, but how many clients do you need when the entry price of one hand of cards is a hundred bucks?

 

Okay, enough speculating like a tourist. It’s time to start thinking like a writer. What type of person would visit this bar as a bonafide customer? Well, let’s see. A high roller checking out the scene, for sure. A cigar aficionado, ditto. The bar menu has a cigar section; the most expensive stogy is called the Arturo Fuentes Opus X Super Belicoso for $78. I don’t know about you, but this about equals my lifetime expenditure for tobacco.

bacaarat-salon-bellagio 

The cheapest cigar has the best write up:

ARTURO FUENTE HEMINGWAY SHORT STORY

Dominican Republic. Length:4 ½.. A gorgeous, classic, perfecto! The wrapper is dark and toothy. The smoke is rich, toasty and spicy, with a wide range of flavors including mint, earth and caramel.

 

Wow! All that in a sixteen-buck smoke! What type of character would partake? How about a competitive South American horsewoman, a powerhouse forty-something, desperate to find a backer for her stable? She’d definitely attract attention, draped over a chaise, wrapped in a cloud of expensive smoke.

 

My Grand Marnier is fini, and if I have another before lunch. I may compromise my integrity as a virtuous woman, so leafing I go through the bar menu again. There’s a selection of alcohol-free cocktails..I select the Island Nectar which is a congregation of fresh raspberries, pineapple juice and Orgeat syrup. Orgeat syrup? Think I’ll try me some. The waitress confirms that orgeat is a French syrup made from almonds. Check.

 

So perhaps the character who orders this alcohol-free drink is a teetotaling Christian girl from the French Caribbean who has come to Las Vegas in hopes of staying in the land of the free permanently. The orgeat syrup is a family favorite, so she orders the drink to remind herself of home. What’s she doing in a bar, then? Hoping to land a husband? Truth is, she’s probably got a pretty good chance of that in Vegas, but  unfortunately she meets up with an imposter who marries her under false pretenses, and the story rolls out from there…

 

As you can see, it’s now 12:17pm, and less than an hour spent in the Baccarat Bar has yielded new character and story ideas that never would’ve surfaced home. It pays to try something new.

January 19, 2009

Accepting Criticism Part One

Filed under: Uncategorized — ashedit @ 9:31 pm

boxing-gloves1I can dish it out but can I take it? A valid question. Yes, I can take it and have the war wounds to show, but the scars are gone because they’re really badges of honor, not thinly healed wounds with ghost pains that still linger.

 

My first degree in accepting criticism did not come from Hollywood Screw U*. No, that’s where I got my doctorate. My first degree came from the Hart House Debating Society at the University of Toronto. One languid day, I drove across town and bumbled into a practice debate. I forget the topic now, but remember sitting there dumbfounded. watching people passionately argue back and forth about a hot political topic, making great, logical sense, building upon the points each speaker made, and most importantly, not coming to blows over it! In my family if you dared speak up, there were tears, tantrums and violence, so this was a biiiiig eyeopener.

 

The debate team, after systematically trying to destroy each other’s arguments by any legal means possible (yes, there was a referee called The Speaker), all went out to share a pitcher of beer. No hard feelings. They didn’t take winning or losing personally. It was all in a day’s work. (Important note: They handled themselves like winners because they were winners. This team had brought home a prestigious first prize at the world’s top tournament about 6 months before. A very big deal, in the international debating universe.)

 

So I signed up for the team, ignoring the well-founded sniggers. Three days a week, I stood at the front of a long table crowded with critics, and argued my take on topics of the day. For a whole year I stumbled over words, lost my place, forgot my point, grew red faced, and even watery eyed, especially when opponents threw sarcastic zingers at me. Everybody on the team took turns mopping the floor with yours truly. Early on, it was pretty obvious I was the worst member of the team. Lucky for me, they couldn’t kick me out of practice debates no matter how much I sucked. No, the only way to get somebody gone was by  making them quit.

 

The first year was a bear. I was weak and knew it. Nothing in my liberal arts education or background had prepared me for anything like this. But I knew what I wanted—what they had. The ability to stay cool under pressure. To speak my mind without giving in or blowing up. I wanted with every fiber of my being to be able to speak for myself with dignity and maybe even a little grace. Quitting was not an option, because I had to learn this, had to have it to make me a better thinker, and therefore a better writer. Nobody and nothing  was going to make me quit, not even temporary embarrassment and defeat.

 

I started visualizing myself as a boxer. I saw myself taking hits, falling on the ropes, dropping to the canvas and bleeding in the ring, but never leaving. “Just stay in the ring,” I told myself.

Stay in the ring.

Round after round, debate after debate. Stay in the ring.

And I did.

 

The second year I gained mental muscle and learned some craft. I held my own in a few rounds here and there. The team accepted me and I started competing at other universities. By my third year of competition, I ranked 9th  top university speaker in the country, and  competed at Harvard twice. My crowning achievement was election to the board of the club, and being sent as a judge to the World Debating Championship, hosted that year by the University of Stellenbosch in South Africa.

 

I had learned the meaning of grace under pressure. I’d also learned how to let someone else have their say, not interrupt, and still have my fair share of talk time to comment or respectfully disagree. Little Elaine had taken a truckload of criticism and transformed it into something valuable.

 

This experience in accepting criticism was invaluable when I faced down real critics in Hollywood. I’d been conditioned to not let critics throw me, even when words were not chosen that carefully and could have cut me to the quick. Part of achieving success is being able to separate the critical facts you need from emotional negativity, which you don’t.

 

This is my first installment in accepting negativity, and it won’t be the last.

 

* Coined in homage to Robert Ringer who first called himself a graduate of Screw U in Winning Through Intimidation, his NY Times bestseller.

January 17, 2009

Learn from Writers You Admire

Filed under: Uncategorized — ashedit @ 12:53 am

einstein1  Have you read a story that thrilled you? A story so good you wished you’d written it? Then sit down and try a screenwriter’s trick: retype the story word for word. During the retyping you will experience the rhythm of that writer you so admire. You’ll get a firsthand experience of the word choices, how the plot points turn, where the story breathes and where it picks up the pace. Retyping is a miniature writing course all its own. Try it and see what you learn, then leave a comment here for others to share.

 

Insanity: doing the same thing over and over again and expecting different results.

—Albert Einstein

Building A Writer’s Group

Filed under: Uncategorized — ashedit @ 12:44 am

stefanoelayne3 Nobody can work in a vacuum.

 

A few years ago, I tried to find a short story and novel writers group here in Los Angeles. Every attempt backfired and led to a dead end. Screenwriters groups are on every street corner, but novels and shorts, not so much. I knew being isolated wasn’t doing me any good, so, if what I needed didn’t exist (or maybe it did but hey, I couldn’t find it), then I needed to build it myself.

 

How do you build a writers’ group if you can’t find any short story writers in town? Answer: Go world wide web, young woman.

 

I started reading the short story sites and identified a writer I really admired. His name was Glenn Gray, out of Long Island, New York, and he wasn’t so widely published that the literary world was beating down his door, (meaning he was approachable) but he also had a sharp sensibility and  way with words that impressed me. He’d left his email in his bio, so I dropped him a complimentary note. I also made myself helpful, and with due respect, pointed out a small typo in the text. I heard back from him within the hour, thanking me for the compliments, and saying he’d corrected the small error.

 

Groovy. I had his attention. We began emailing perhaps bi-weekly. I didn’t waste his time with chitchat, I stuck to writing, and offered to proofread anything for him that he cared to send. After a few favors, I asked him to give me feedback on something I’d written and voila, I had my first online writing buddy; someone who knew the crime genre, had a great grasp of noir style, and was willing to be a sounding board and valued critic. I met David Cranmer and Albert Tucher the same way.

 

When you use the web to find a writing group buddy, the world is your oyster. You can search for another writer just your style, who will intuitively “get” your stuff and offer informed comment. There’s nothing worse, in my opinion, than cross-genre writer’s groups where the hardboiled writer gets to opine on the romance writer’s opus. Hardboiled is not the right sensibility for romance and it doesn’t work the other way around either. Best to solicit crit from a fan of your genre, otherwise you could end up trying to please everybody and concoct a romantic crime story with a fantasy subplot and sci-fi back story that satisfies every member of your group in some way, but will in no way appeal to a devoted reader of any of those genres. It happens.

 

Now get busy and find yourself a likeminded buddy who will kick your butt when you need it, read and comment on your stories, mourn your rejections, and celebrate your successes when nobody else gives a damn.

 

There is hopeful symbolism in the fact that flags do not wave in a vacuum.

—Arthur C. Clarke

Why Bother Writing in this Economy?

Filed under: Uncategorized — ashedit @ 12:40 am

 

Yep, it’s dire. Publishing is in a funk and they’re getting miserly about giving breaks to new writers. So why even bother writing? If you’re having this kind of conversation with yourself, I kindly suggest you shut yourself up. When Dickens wrote his masterpieces, the economy was truly death-defying, and people got thrown in prison for non-payment of debts. Thankfully, it never stopped him.

 

With the advent of e-zines there are new and exciting possibilities for writers that don’t even cost the price of a stamp. Avoid concentrating on doors closing and look at the ones opening. During these down times, stay in more, work at your craft, and don’t entertain discouraging thoughts.

 

The difference between perseverance and obstinacy is that one comes from a strong will, and the other from a strong won’t.

—Henry Ward Beecher

January 16, 2009

Hello world!

Filed under: Uncategorized — ashedit @ 3:46 pm

00000001I assume, if you’ve found me here, that you’ve already visited Beat to a Pulp online, where I hold down the Editor at Large position. Or you’ve read a little about me at my web site, which promotes my editing business outside of BTAP.

 

This new blog is my way of staying in touch, and putting down all the hard-won information rattling around in my brain on writers and writing. I can honestly say that editing is a thrill for me—each story has a touch of beauty or a stirring moment, even if it’s not ready for publication—yet. Every story that someone sat down and put their best effort into, has merit. Maybe it’s still a diamond in the rough, but there’s a real diamond in there waiting to shine.

 

Comments and questions are encouraged. I may not be able to answer all, but some definitely. I can use all the topic inspiration you have to offer.

 

Apply yourself. Get all the education you can, but then, by God, do something. Don’t just stand there, make it happen.

—Lee Iacocca

 

 

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